People like the loft in my guinea pigs' cage. It is only 6" off of the main floor, so it doesn't require a steep ramp that is common in most second level designs. In fact, it doesn't require a ramp at all! Guinea pigs can just hop up or jump down from it.
I've had several people ask for instructions how to build one. It's not complicated, especially if you've made a C&C cage before. The loft is made out of 10 grids, a bit of coroplast and a bunch of 50lb zip ties. If you are adding this onto an existing cage, you will need to modify the base on the side you are adding the level. It requires a half-grid wall instead of the full grids.
I cut a single grid into two pieces (removing the middle row of grid-holes), so that I end up with two 4x9 hole grids. I used a pair of heavy-duty wire cutters for the inner wires, but I needed a hacksaw to get through the thicker edge wire. The two half-grids are the same height as the coroplast on the base. This is to help support the second level on the base of the cage.
I have been making ornaments for many years. I picked up the craft in the early 1980s "apprenticing" for a woman who made salt-dough ornaments she sold at local shops. She made dozens of them at a time. I learned how to make the dough, seal the ornaments and paint on some of the details. Occasionally I got to watch her create the ornaments. She made it look so easy!
Typical work area
I started making salt-dough ornaments for Christmas presents for my extended family. Some of the oldest pieces still survive (which is impressive, because of the seal breaks, salt-dough ornaments turn into mush). In the mid-1990s I switched from home-made salt-dough to Fimo and Sculpey, at which point my ornaments became smaller and more detailed. I can see the improvements over the years, as my ornaments become more 3D and my people look a bit more realistic.
I often work in the living room. I try to keep my area somewhat mobile, so I can stash it all away in a moment's notice. However, it doesn't take much before clay and tools are all over the place. I sometimes have multiple pieces under varying stages of construction all at the same time. It can be a mess!
The stockings were hung on the cage grids with care... in hopes that they were good pigs and will get carrots instead of coal. If it was up to me, I'm not sure. Bertie and Pinni were causing such a ruckus last night I feared Bertie was going to take a flying leap from the balcony to get away from Pinni. Bad pigs. Pinni needed wuzzes.
A friend of mine knitted the stockings for me as a present. Aren't they cute? One for each guinea pig. I think the blue and grey one is my favorite. The pigs think they are the perfect size for a big fat carrot. I may have to agree.
So they're keeping their paws crossed and being good pigs tonight. Don't they look like good little girls?
My boyfriend is the bestest. But he has this thing about plastic creepy-crawlies. The first time he purchased a handful of plastic snakes and spiders, he assured me they would go in a friend's backpack, or in someone's shoe bag at a contra dance. I innocently believed him. However, after the cockroach appeared in my shower, a snake in my utensil drawer and various ants and bugs under my pillow and in my purse, I began to doubt the truthfulness of his intended victim(s).
I must admit, this Halloween he offered a number of contra dancers their choice of spiders. People's reactions were entertaining, ranging from disgust to unexpected delight. But I still wonder if the majority of these critters will ever leave the confines of this house. And the collection continues to grow. I brace myself any time we walk into a toys store or a nature center; he makes an uncanny bee-line to the plastic bugs section of the store.
I seem to be facing a real pest problem
For example, he found another wonderful selection of bugs just last week at A2Z in Northampton. There were even a pair of banana slugs! Who could resist them? He's a little disappointed that he has not yet found a good house centipede. But was content with his other purchases. The spider (which I have not come across yet) and the over-sized ant are impressively realistic.
I had the whole family over this weekend. My nephew was enthused about the slug on my keyboard and spent some time with my sister hunting down various bugs in the kitchen. Hmm... maybe next time they're over, I'll tell my nephew that he can keep any bugs he can find.
My nephew normally gets storybook characters for his Christmas ornament. This year I got a special request: to make an ornament with his two favorite stuffed animals/imaginary friends, Blue and Coco. I was familiar with the stuffed animals and took some photos of them for reference. Coco looks a lot like Snoopy. Blue is somewhat nondescript, with odd-looking floppy ears and a stubby tail. My nephew is infatuated with Mario Kart, so I thought if I put the two of them driving in a go-kart, it would be a big hit.
I knew the kart would be some work, simply because I've not built one before. Imagine my surprise when my stumbling block was Blue and Coco. Blue is relatively two-dimensional, mostly light blue with a large light green patch over one eye and ear. Two colors. One spot. How hard could that be?
My godson receives an iconic character as his annual Christmas ornament. It started with a train engineer and over the years I have worked my way through a variety of countries and time periods: minute man, a cowboy and Indian, a knight, a Roman Centurion, an Eskimo, the Gloucester fisherman. Many of them were warriors or hunters. People carrying swords and axes are possibly not the most appropriate thing to gift at Christmas? There are so many colorful costumes out there and let's face it - some of the most interesting are military uniforms. I've tried to veer away from the warriors in the last few years, but as I puzzled this summer over what to make, a musketeer popped into my head. When something sticks in my head like this, I've learned to run with it.
I think it was the blue of the musketeer outfit that had caught my eye.
In doing my research, I discovered that there are many different
uniforms for musketeers. I suspect what I ended up with is
probably a mishmash of a few different time periods.
Various stages of progress
This took a while to make. I worked on it in bits and pieces. I had the boots and legs done before Thanksgiving, and then it sat for a week. Baking cookies and a pie and dipping toffee took precedence. But even when I had time, progress was slow. I worked on it for several nights, just an hour or two at a time. I had to rework the boots, because they were too high. The legs were too skinny. He was becoming taller than I wanted. The tabard was difficult to work with; the blue kept smudging on the white shirt and vice versa. I had to work on hair color for a bit, and hemmed and hawed over facial hair. Then debated over making a sword, and should he hold it or have it on his hip? Decisions, decisions!
I finally had him all assembled and ready to bake. He went in with the vet ornament and got singed as well. The results were shiny bangs, a tricolor feather and dark blue edges to the tunic. So no more cooking ornaments in that oven!
All that was left was painting some trim and the blade of the sword. Painting detail always makes me nervous. It's tricky getting in and around legs and arms and clothing and not touch something else. It all worked out in the end. My musketeer looks splendid. En garde!
In the last several years, I have gone to the Cotillion at the Scout House. This year we decided to try Fezziwig's Ball up in Salem, MA. The fliers made it sound similar to the Cotillion: a fancy-dress dance, featuring period costumes and dances. But there were several things that ended up making it a different experience than what I had expected.
First, there a lot of children and young people. Much more than at the Cotillions I've attended. It seemed that were more people in costume, too; I was constantly brushing up against one hoop skirt or another during the waltzes. I met several people who said this was their first time, and had no dance experience. I think the mix of young people, costumes and anticipation helped create the festiveness of the evening.
The dance started with a Grand March, which was very long and involved going up and down the stairs more than once. This was a bit nerve wracking since I had a very long dress
and was wearing heeled shoes (which I do all of 2-4 times a year). I was so relieved not to have stepped on anyone's gown.
Through the evening they did a mix of couple dances and called line dances. The woman calling the dances was difficult to hear in the crowded hall. In addition, the dances were taught without any references to contra or English dance figures. This was frustrating. I couldn't understand what she was asking us to do any better than the uninitiated beginner. Once we successfully did the move, it was fairly obvious what she had called. Even not knowing the dance, I feel I could have picked up on the root movements quicker and easier had they been in terms I recognized. However, not understanding her instructions left us unable to assist anyone. I guess it leveled the playing field? We were all equally lost.
Grand March
(photo by Bryan Krauthamer)
But it was neat to learn some new old-style dances. The Cotillion does the same set every year. I really enjoyed the reels. Everyone was
laughing when we did Gothic Arches. We all got pretty silly. You can get a feel for the general controlled chaos from the polka:
All of the dancing was much like this: full of smiles and people having fun.
I didn't switch dance partners like I do at the Cotillion. Dance names and order were not posted, so I felt safer sticking with Rob than to venture out and dance with others. Which was fine! It was a rare treat to dance the evening away with just one person. I think many people stuck with whomever they came with for the dances.
There was a decent amount of down time between dances. Fezziwig's Ball was as much a social function as a dance.
With the beautiful hall and everyone dressed up as they were, it was
easy to imagine what a dance would be like over a century ago.
The food at the break was delicious. The treats appeared to be from period recipes, too. There were mini mincemeat pies and ham and cheese. There were gingerbread and sugar cookies, all stamped. I don't want to think of the time it took to prepare all those! Of course there was plum pudding and a variety of other sweets. It would have been perfect if there had been 21st century hand cleaner available at the tables -- I doubt anyone took the time to wash their hands before heading for the food.
So the Cotillion and the Fezziwig Ball turned out to be similar yet distinct events. They each have pros and cons. For me? I had a delightful time. We both enjoyed the festive atmosphere and the dances and the people. Even though it was a long drive up there and back, I expect we will be returning to Fezziwig's Ball in the future.
I am lucky to have a decent exotics vet so close to where I work and live. Every year for the holidays I give the Windhover Veterinary Center a box of my almond butter crunch and ginger star cookies (along with a goofy guinea pig card). It's part thank you and part offering to the Pet Gods. Perhaps if they're appeased, I won't have to make so many visits to the vet in the new year? So far the goodies are loved by the staff, but the gods have not been placated. Oh, well.
A rough likeness of my vet, with the mumps?
This year I decided to make an ornament for my vet as well as the usual goodies for the staff. I thought it would be a fun project. And it was, although the execution was trickier than I had imagined.
The idea was to have my vet surrounded by a bunch of animals. The number of animals decreased as I ran into difficulties. The parrot, which I thought might be complicated, turned out to be the easiest piece of the bunch. I've sculpted bunnies before, so that wasn't too difficult. The cat was challenging - I wasn't sure what to do with the legs. Even the lab coat had issues! The white stuck to everything. I had brief thoughts of a guinea pig or a rat, but the rabbit was so small, I didn't want to try anything smaller.
Then I discovered the toaster oven has hot-spots. This ornament lucked out - one sleeve ended up a little dirty and the grey kitty cat ended up a bit browner than it started out both the vet and the rabbit have slightly shiny toes. But the scorching was kept at a minimum. Given all that white of the lab coat, I was thrilled!
This is the first time I've tried to make an ornament based on a real person. I've matched the color of her hair... and that's probably about it. Regardless, I think it's cute. I hope she likes it. At least I know the toffee will be a hit! Do you think the Pet Gods will be satisfied this year?
People like the loft in my guinea pigs' cage. It is only 6" off of the main floor, so it doesn't require a steep ramp that is common in most second level designs. In fact, it doesn't require a ramp at all! Guinea pigs can just hop up or jump down from it.
